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This paper deals mainly with the technical aspects of defining the artist; and it is, at least to start with, committed to the practical interest of identifying artists as a professional group for empirical social science research.

The present study charts the early stages of the system and its subsequent development from 1972 onwards as well as related financial issues using data from the 2000s.

One of the objectives of this study was to study Sámi artists’ status and activities in state arts administration, as well as the channelling of state arts support to the Sámi arts sector.

The study at hand has two purposes: First, to examine architecture’s share of the arts support system in the 2000s, and secondly to evaluate the status of architects in present building trade and the possible changes in it.

These publications are produced by Taike’s predecessor, the Arts Council of Finland. Physical copies are available at the National Library of Finland.

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